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Hundreds of Beavers
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Shop this title
Hundreds of Beavers
We may earn a commission from purchases through these links.
Search US stores by format. Check the title and edition before buying.
Catalog availability and subscription terms vary.
Hundreds of Beavers sticks to classic slapstick storytelling and a competence-driven hero's journey with no activist messaging or identity politics. The result is straightforward, neutral entertainment that earns a low 1/10 woke score.
We've run a full content analysis on Hundreds of Beavers and scored it 1/10 on the woke scale. Read our detailed breakdown above to see exactly what we found.
Our analysis checks for themes like identity politics, race-swapping, gender ideology, environmental activism, anti-religious messaging, and other progressive agenda elements. The score breakdown above shows which specific categories were flagged and how heavily they factor into Hundreds of Beavers's overall score.
Wokeometer focuses on ideological content rather than traditional ratings (violence, language, etc.). Hundreds of Beavers is rated NR. For a full picture, combine our woke analysis with the age rating to decide if it's right for your family.
We evaluate media across multiple ideological categories on a 0–10 scale. Scores of 0–3 mean story-first, 4–6 have moderate elements, and 7–10 flag heavily agenda-driven content.
Hundreds of Beavers is a black-and-white, dialogue-free slapstick comedy homage to silent-era films, Buster Keaton, and Looney Tunes, centered on original protagonist Jean Kayak (Ryland Brickson Cole Tews), a drunken 19th-century applejack salesman who survives winter, learns fur trapping, and defeats hundreds of beavers (played by actors in mascot costumes) to win the merchant's daughter (Olivia Graves).
The plot follows a classic hero's journey of redemption through competence and adventure, with video game-style progression, absurd traps, and physical gags; there are no established characters from prior source material to alter. This original story relies entirely on traditional slapstick storytelling without identity politics or any source-material changes. Creator intent stays fixed on physical comedy, DIY effects, and genre homage, with no activist statements of any kind.
Incidental historical casting such as one Native trapper character fitting the 19th-century setting, plus mild bawdy humor, remains peripheral and never drives narrative or themes. The result is a film that delivers straightforward entertainment through absurd physical gags and competence-based progression, free of progressive messaging.
Methodology: Each score synthesizes audience discourse, critic and aggregator reception, and press coverage — weighed against the work itself, not any single source.
See how this title scores across all 5 woke subcategories with detailed explanations.
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