Box Office
Underperformed · 2.0xBudget$65M
Worldwide Gross$128.1M
Step Brothers ganha uma pontuação woke de 0/10 por se ater a palhaçadas absurdas entre dois irmãos postiços imaturos, entregando comédia neutra sem política de identidade ou mensagem social.
Step Brothers é uma comédia escrachada de 2008 centrada em dois homens brancos de meia-idade imaturos, Brennan Huff (Will Ferrell) e Dale Doback (John C.
Reilly), que se tornam irmãos postiços relutantes após seus pais solteiros se casarem. O enredo gira em torno de suas rivalidades infantis, fracassos no trabalho e eventual união através de palhaçadas absurdas como brigar por um conjunto de bateria e enterrar um ao outro vivo, sem qualquer envolvimento em política de identidade, críticas sistêmicas ou temas de justiça social. O elenco e os papéis coadjuvantes (Richard Jenkins, Mary Steenburgen, Adam Scott, Kathryn Hahn) se alinham com a comédia convencional de Hollywood da época, enfatizando o humor pastelão e a imaturidade masculina sem quaisquer mandatos forçados de diversidade ou alterações narrativas por razões ideológicas.
We've run a full content analysis on Step Brothers and scored it 0/10 on the woke scale. Read our detailed breakdown above to see exactly what we found.
Our analysis checks for themes like identity politics, race-swapping, gender ideology, environmental activism, anti-religious messaging, and other progressive agenda elements. The score breakdown above shows which specific categories were flagged and how heavily they factor into Step Brothers's overall score.
Wokeometer focuses on ideological content rather than traditional ratings (violence, language, etc.). Step Brothers is rated R. For a full picture, combine our woke analysis with the age ratingto decide if it's right for your family.
We evaluate media across multiple ideological categories on a 0–10 scale. Scores of 0–3 mean story-first, 4–6 have moderate elements, and 7–10 flag heavily agenda-driven content. Learn more about our methodology →
Methodology: Each score synthesizes audience discourse, critic and aggregator reception, and press coverage — weighed against the work itself, not any single source.
See how this title scores across all 5 woke subcategories with detailed explanations.
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