The core premise revolves around scheming employee Dámaso Carrillo's failed takeover attempt, the widow Nieves assuming control with help from her son-in-law Chemi, family conflicts over selling the business, and rival funeral home competition—classic ensemble comedy dynamics with no foundational reliance on identity politics or social justice framing. Season 4 continues this focus through the director succession battle without introducing activist-driven arcs. The series treats progressive tropes as targets of humor rather than vehicles for messaging, as seen in the incidental #MeToo-style scandal subplot threatening the patriarch's legacy and characters such as the overly PC Chemi or feminist Manuela deployed strictly for comic relief.

TV Tropes documentation confirms explicit mockery of political correctness, including a priest rejecting a 'woke pagan circus' and Nino viewing the MeToo movement as killing romance. Casting remains a standard Spanish ensemble with no established-character changes or creator statements emphasizing DEI intent, while reception highlights the dark humor and sharp dialogue with neither backlash nor praise tied to progressive themes.