Progressive elements surface through Chemi, the marketing executive who obsessively recites the full LGBTQIA+ acronym and lectures on feminism and inequalities in clumsy pitches, and Manuela, the thanatopractor whose holier-than-thou feminist attitude sparks workplace friction. These traits are consistently played for laughs as sources of absurdity and overcorrection, turning the characters into satirical targets rather than vehicles for endorsement. The #MeToo subplot functions as external comedic pressure on the inheritance plot instead of a thematic centerpiece, keeping ideology peripheral to the black comedy premise. The mixed-gender ensemble emerges organically from the story's setting with no established character swaps or creator statements pushing activism, allowing the series to mock performative progressivism without centering or validating it.