What is the woke score for Call the Midwife - Season 4?

Wokeometer rates Call the Midwife - Season 4 (2015) a 6/10 on the woke scale. This is a moderate woke score, indicating some ideological elements are present.

Is Call the Midwife - Season 4 Woke? TV Show Woke Score: 6/10

Q: Is Call the Midwife - Season 4 woke?

Call the Midwife - Season 4 has a woke score of 6/10 on Wokeometer. Season 4 of Call the Midwife keeps its primary focus on midwives delivering babies and tackling community health issues in 1960s Poplar, while adding secondary storylines around homosexuality, prostitution, and unmarried mothers. These elements function as an additive layer rather than the core, supporting a moderate 6/10 score.

Is Call the Midwife - Season 4 Woke? TV Show Woke Score: 6/10 | Wokeometer

TL;DR Verdict

Season 4 of Call the Midwife keeps its primary focus on midwives delivering babies and tackling community health issues in 1960s Poplar, while adding secondary storylines around homosexuality, prostitution, and unmarried mothers. These elements function as an additive layer rather than the core, supporting a moderate 6/10 score.

Detailed Analysis

Season 4 of Call the Midwife maintains its core focus on the Nonnatus House midwives delivering babies and managing community health crises in 1960s Poplar, yet it incorporates recurring subplots that elevate 1960s social constraints around sexuality and marginalization into narrative drivers.

The most prominent such element is the secret lesbian romance between nurses Patsy Mount and Delia Busby, depicted across multiple episodes through private hand-holding, overnight stays, flat-sharing plans, and emotional intimacy that must remain concealed due to contemporary attitudes, reaching a crisis point when Delia suffers amnesia following a bike accident. Episode 3 further foregrounds these themes by centering on Tony Amos's arrest for gross indecency with another man, which sparks discussions among the midwives about the criminalization of homosexuality and resulting social ostracism. Additional storylines repeatedly position prostitutes, unmarried mothers, and the poor as vehicles for empathy-driven narratives, including threads on venereal disease treatment and Chummy's home for unmarried mothers, alongside occasional faith-versus-medicine tensions.

These elements contribute to the score without displacing the historical midwifery premise. Casting remains period-accurate and entirely white British with no alterations to source material or imposition of modern diversity requirements, confirming that identity politics functions as an additive layer rather than the foundation.

Key Factors

Prominent secret lesbian romance subplot between Patsy and Delia across multiple episodes
Episode 3 storyline of a man arrested for gross indecency exploring homophobia and legal penalties
Recurring focus on marginalized groups including prostitutes, unmarried mothers, and the poor as vehicles for empathy narratives
Period-accurate all-white British casting with no source-material alterations or modern diversity mandates
Core premise remains historical midwifery and community stories rather than identity politics as the foundation

Methodology: Each score synthesizes audience discourse, critic and aggregator reception, and press coverage — weighed against the work itself, not any single source.