Progressive elements appear through daughter Aniela, explicitly labeled the 'rebellious and progressive' character who pursues climate activism, organizes religious equality marches, and maintains a cross-class romance with peasant Maciej that challenges 17th-century norms. Subplots extend to family inheritance disputes where her gender is noted as a barrier and Zofia's secret same-sex relationship with Rozalia, highlighting hypocrisy.

These threads influence multiple episodes and character arcs but remain secondary to the core farce of Jan Paweł's schemes, gambling, festivals, and political blunders. The series maintains a satirical tone that mocks all sides rather than advancing activist messaging as its central premise. No established characters undergo race or gender swaps, and there are no creator statements prioritizing DEI initiatives. Thematic elements around climate activism, equality marches, cross-class romance, and gender/inheritance issues tied to Aniela and family dynamics recur but function as targets for equal-opportunity ridicule within the farce, keeping overall progressive framing limited and non-foundational.