Writer Taylor Sheridan explicitly stated his intent to avoid preachiness, noting that if viewers could discern his politics, he had failed as a storyteller, and the film explores gray areas like whether ends justify means without any framing around systemic oppression, patriarchy, or identity. Casting features Benicio del Toro as the enigmatic Alejandro and Daniel Kaluuya in a supporting role, choices that align organically with the border setting rather than serving DEI mandates.

No race- or gender-swapping of established characters occurs, no LGBTQ+ elements appear, and no scenes lecture on social justice. Audience and critic reception highlights the film's tension and realism, with some noting Blunt's character underscores the incompatibility of naive idealism with brutal realities, countering rather than advancing girlboss narratives. Reception signals show zero notable backlash labeling it woke; instead, it is cited as an example of pre-ideological thriller storytelling.