It follows the established trio of Hu Bayi, Shirley Yang, and Wang Pangzi on a curse-breaking quest into an ancient Dian Kingdom tomb filled with traps, explosive bugs, ghostly visions, and a massive salamander. The story adheres to classic Chinese tomb-raider adventure-horror tropes centered on exploration, survival, and supernatural threats, with no alterations to character genders, races, or sexualities from the source material.

This faithful approach keeps the narrative grounded in traditional adventure elements rather than injecting modern ideological overlays. The production features an all-Chinese cast and crew that preserves the original character dynamics and cultural setting without any identity politics, DEI mandates, or social commentary. Creator intent aligns with straightforward adaptation of the source novels, emphasizing curses, tomb traps, and survival challenges over any thematic reworking. Audience reception reflects appreciation for this unadulterated focus on genre conventions, resulting in a low woke score due to the complete absence of forced progressive messaging or casting changes that deviate from the established Chinese source material.