The core revolutionary team incorporates prominent non-white and non-male characters including a Black blacksmith and Native American Geronimo, with dialogue explicitly addressing white male privilege, racism, xenophobia, and sexism among the founders. The narrative satirizes American history through anachronistic critiques of systemic issues, culminating in a post-victory scene where the crowd erupts in arguments over freeing slaves, women's rights, returning land to natives, and other identity-based grievances, ending with Washington acknowledging the country's inevitable failures on these fronts.

These elements introduce modern activist framing into the parody without making identity politics the central premise, which remains a crude, bro-centric riff on the Revolution. Audience reactions include right-leaning backlash for the roughness and perceived pandering, while some reviews note the politics feel muddled or forced into the chaotic humor.