Box Office
Underperformed · 2.0xBudget$65M
Worldwide Gross$128.1M
Step Brothers obtiene un puntaje woke de 0/10 al apegarse a las absurdas payasadas slapstick entre dos hermanastros inmaduros, ofreciendo comedia neutral sin política de identidad ni mensajes sociales.
Step Brothers es una comedia irreverente de 2008 centrada en dos hombres blancos de mediana edad inmaduros, Brennan Huff (Will Ferrell) y Dale Doback (John C.
Reilly), que se convierten a regañadientes en hermanastros después de que sus padres solteros se casan. La trama gira en torno a sus rivalidades infantiles, fracasos laborales y eventual vínculo a través de payasadas absurdas como pelear por un set de batería y enterrarse vivos, sin involucrarse en política de identidad, críticas sistémicas o temas de justicia social. El elenco y los papeles secundarios (Richard Jenkins, Mary Steenburgen, Adam Scott, Kathryn Hahn) se alinean con la comedia convencional de Hollywood de la época, enfatizando el humor slapstick y la inmadurez masculina sin mandatos forzados de diversidad ni alteraciones narrativas por razones ideológicas.
We've run a full content analysis on Step Brothers and scored it 0/10 on the woke scale. Read our detailed breakdown above to see exactly what we found.
Our analysis checks for themes like identity politics, race-swapping, gender ideology, environmental activism, anti-religious messaging, and other progressive agenda elements. The score breakdown above shows which specific categories were flagged and how heavily they factor into Step Brothers's overall score.
Wokeometer focuses on ideological content rather than traditional ratings (violence, language, etc.). Step Brothers is rated R. For a full picture, combine our woke analysis with the age ratingto decide if it's right for your family.
We evaluate media across multiple ideological categories on a 0–10 scale. Scores of 0–3 mean story-first, 4–6 have moderate elements, and 7–10 flag heavily agenda-driven content. Learn more about our methodology →
Methodology: Each score synthesizes audience discourse, critic and aggregator reception, and press coverage — weighed against the work itself, not any single source.
See how this title scores across all 5 woke subcategories with detailed explanations.
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