Box Office
Flop · 0.3xBudget$15M
Worldwide Gross$4.5M
Y2K marca um baixo 1/10 no wokeometer por entregar pura diversão de terror-comédia através de tropos clássicos de sobrevivência adolescente, paixões e gore tecnológico com zero política de identidade ou mensagem social.
Y2K é uma comédia de terror direta centrada no bug do milênio causando a eletrônica doméstica e computadores a ganhar senciência e atacar humanos na véspera de Ano Novo de 1999.
A premissa segue os excluídos do ensino médio Eli (Jaeden Martell) e Danny (Julian Dennison) invadindo uma festa para perseguir a paixão de Eli pela garota popular Laura (Rachel Zegler), depois sobrevivendo a um apocalipse tecnológico ao lado de um pequeno grupo de adolescentes, incluindo o fã de nu-metal Ash e o aspirante a rapper CJ. Nenhum ponto da trama, diálogo ou arcos de personagens envolve política de identidade, opressão sistêmica, críticas às normas tradicionais ou mensagens de justiça social; a história se baseia em tropos clássicos de comédia adolescente de constrangimento social, paixões e sobrevivência caótica misturada com piadas de gore de gadgets assassinos.
We've run a full content analysis on Y2K and scored it 1/10 on the woke scale. Read our detailed breakdown above to see exactly what we found.
Our analysis checks for themes like identity politics, race-swapping, gender ideology, environmental activism, anti-religious messaging, and other progressive agenda elements. The score breakdown above shows which specific categories were flagged and how heavily they factor into Y2K's overall score.
Wokeometer focuses on ideological content rather than traditional ratings (violence, language, etc.). Y2K is rated R. For a full picture, combine our woke analysis with the age ratingto decide if it's right for your family.
We evaluate media across multiple ideological categories on a 0–10 scale. Scores of 0–3 mean story-first, 4–6 have moderate elements, and 7–10 flag heavily agenda-driven content. Learn more about our methodology →
Methodology: Each score synthesizes audience discourse, critic and aggregator reception, and press coverage — weighed against the work itself, not any single source.
See how this title scores across all 5 woke subcategories with detailed explanations.
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