These remain traditional revenge and hierarchy narratives without activist framing. However, progressive elements appear through prominent LGBTQ+ representation that shapes multiple character arcs: Franky Doyle is explicitly lesbian, engaging in same-sex relationships and scenes with Kim Chang; trans woman inmate Maxine Conway is introduced as a key player who saves Bea and factors into assassination attempts and alliances.

The season's ensemble includes these identities as focal points rather than incidental background. No race- or gender-swapping of prior canon characters occurs, and diversity fits the women's prison setting organically. Creator statements and reception emphasize gritty drama over messaging, with queer media noting the "grittier, gayer" tone but no evidence of lecture-style social justice themes or DEI mandates driving the premise.