Episodes feature standard genre elements like the wandering swordsman Shang Bu Huan, the assassin Xie Yingluo, and the bard Lang Wu Yao, without any narrative focus on identity politics, systemic oppression, or critiques of traditional norms. Creator Gen Urobuchi has discussed balancing male and female character proportions for storytelling appeal in interviews, but this remains incidental to the premise rather than activist framing.

Voice casting uses established Japanese seiyuu for original characters in a puppetry production, with no departures from source material or live-action cross-sex elements. Reception highlights its evolution into more thoughtful villainy and authority themes within the wuxia tradition, without audience or critic discourse framing it as progressive messaging.