Casting features a predominantly white ensemble suited to the 1850s Australian colonial setting, with incidental ethnic diversity (e.g., actors like Albert Latailakepa and Aljin Abella in supporting roles) that aligns organically with the era's convict and immigrant population rather than forced DEI quotas. Strong female characters like Belle Fox pursuing medicine and Fanny embracing crime emphasize agency through action and wit, not feminist monologues or systemic critiques.

No evidence of race/gender-swapping, LGBTQ+ focal points, or creator activism; early reviews praise its spectacle and character arcs (e.g., Collider 9/10, RT 100% on critics), with zero backlash labeling it 'woke' or citing ideological intrusions. This focus on fun storytelling over messaging makes it a refreshing escape, unmarred by contemporary social justice agendas.