The core premise and episodes focus on survival, revenge, leadership struggles, and sighted children as a power source, with no race- or gender-swapping of established characters and casting that fits the setting without forced changes. Creator statements emphasize world-building and mythology over any activist framing, and sighted prejudice appears strictly as in-universe heresy rather than modern identity messaging. A lesbian romance subplot develops between Haniwa and the sighted lieutenant Wren, while the Compass group expands as a female-led warrior faction protecting the sighted.

These elements register as noticeable additions amid the conventional warrior-family storytelling. Audience reviews frequently flag the LGBTQ+ content and demographic shifts as shoehorned or pandering, producing a modest elevation in the woke score despite the limited thematic centrality and absence of creator intent to inject contemporary politics.