Casting features minor incidental diversity, such as Omid Djalili (Iranian-British) as Mr. Venus, Ukweli Roach (black British) as Sergeant George, and a mixed-heritage Artful Dodger, but these feel organic to the bustling London underclass setting without clashing or altering source material identities—no race-swapping or forced DEI changes noted. A subplot involves invented character Arthur Havisham's secret homosexuality and attraction to another man, influencing his scheming arc, but it is portrayed as a hidden Victorian shame rather than celebrated identity politics or modern activism, remaining peripheral to the core premise and emotional drivers.

Creator Tony Jordan emphasized his passion for Dickens' world without any stated progressive intent, diversity mandates, or social justice overlays. No audience backlash, controversies, or 'woke' criticisms emerged in reception; the series was axed after one season due to high costs, not ideological pushback. Overall, the show prioritizes entertaining, soapy Dickensian storytelling free of contemporary political messaging, delivering pure period drama appeal.