The storytelling prioritizes psychological thriller elements, class trials, murders, and the hope-versus-despair dichotomy, with no embedding of contemporary social justice activism, identity politics, DEI mandates, or critiques of traditional norms. Casting features authentic Japanese voice actors matching the all-Japanese cast of quirky, talent-based characters like the Ultimate Programmer, Swimmer, and Biker Gang Leader, with no race/gender-swapping or forced diversity clashing with the premise.

The sole potentially incidental element is Chihiro Fujisaki's subplot, where a timid boy who crossdresses due to insecurity seeks to embrace his male identity and build strength, a traditional arc reinforcing gender norms rather than challenging them with fluidity or oppression narratives—far from central, as it occupies one chapter amid the murder mystery focus. No creator intent for inclusion or activism appears in interviews; Kazutaka Kodaka emphasizes narrative twists and entertainment.

Reception criticizes the anime for pacing and omissions from the game, not wokeness, with no audience backlash invoking 'go woke go broke' or similar. This pure entertainment-driven work avoids political messaging entirely, delivering unadulterated suspense and character-driven drama.