Shop this title
Shop this title
Thomas & Friends: The Great Race
We may earn a commission from purchases through these links.
Digital video
Search US stores by format. Check the title and edition before buying.
Explore Prime Video — Opens in a new tab
Catalog availability and subscription terms vary.
Thomas & Friends: The Great Race
movie·U·Aug 23, 2016·
Shop
Shop this title
Thomas & Friends: The Great Race
We may earn a commission from purchases through these links.
Digital video
Search US stores by format. Check the title and edition before buying.
Explore Prime Video — Opens in a new tab
Catalog availability and subscription terms vary.
Thomas & Friends: The Great Race
movie
U
August 23, 2016
Wokeometer Rating
3Based
Scale: 0 = not woke, 10 = maximally woke
TL;DR Verdict
Thomas & Friends: The Great Race earns a low 3/10 woke score by delivering classic self-acceptance storytelling where Thomas learns to be himself and shows sportsmanship, with new engines serving only as organic background for the competition premise.
Paid creator placementsFeature your article or video on this page
Detailed Analysis
Thomas & Friends: The Great Race centers on a classic self-acceptance story where Thomas learns he does not need to repaint or alter himself to compete at the Great Railway Show, instead excelling at shunting and demonstrating sportsmanship by sacrificing his lead to save Ashima from a crash.
The plot introduces 13 new original international engines, including Ashima (a feisty, beautifully painted tank engine from India voiced by Tina Desai), who consoles Thomas with the line "You can only be you" and shares the shunting victory for good sportsmanship. These additions expand the world for global markets and include female engines as capable competitors, but they function as organic background and supporting characters tied directly to the international competition premise rather than driving identity-focused arcs or critiques.
Key Factors
- New original diverse characters (Ashima from India and other international engines) added for commercial/global appeal, not source-material changes
- Light self-acceptance and friendship themes consistent with traditional children's storytelling tropes
- Minor audience and media discussion of diversity push by Mattel, with no evidence of activist creator intent or lecture-style messaging
Methodology: Each score synthesizes audience discourse, critic and aggregator reception, and press coverage — weighed against the work itself, not any single source.
Detailed BreakdownPro
Identity Politics & Racial Essentialism
Gender Ideology & LGBTQ+ Themes
DEI Casting & Representation Mandates
Preachiness & Message-First Agenda
Corporate & Creator Activism
See how this title scores across all 5 woke subcategories with detailed explanations.
Unlock with ProFrom $3/month · 3-day trial for $1
The Woke Report
A curated roundup of newly scored movies, shows, and games, with the context behind the scores. Free. Unsubscribe anytime.
Privacy policyDirected by
Is Thomas & Friends: The Great Race Woke?
We've run a full content analysis on Thomas & Friends: The Great Race and scored it 3/10 on the woke scale. Read our detailed breakdown above to see exactly what we found.
Frequently Asked Questions
What kind of woke content is in Thomas & Friends: The Great Race?
Our analysis checks for themes like identity politics, race-swapping, gender ideology, environmental activism, anti-religious messaging, and other progressive agenda elements. The score breakdown above shows which specific categories were flagged and how heavily they factor into Thomas & Friends: The Great Race's overall score.
Is Thomas & Friends: The Great Race family-friendly?
Wokeometer focuses on ideological content rather than traditional ratings (violence, language, etc.). Thomas & Friends: The Great Race is rated U. For a full picture, combine our woke analysis with the age rating to decide if it's right for your family.
How does Wokeometer score movies?
We evaluate media across multiple ideological categories on a 0–10 scale. Scores of 0–3 mean story-first, 4–6 have moderate elements, and 7–10 flag heavily agenda-driven content. Learn more about our methodology →
