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  1. Wokeometer
  2. Movies
  3. The Good, the Bad, the Weird
The Good, the Bad, the Weird
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The Good, the Bad, the Weird

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The Good, the Bad, the Weird

The Good, the Bad, the Weird

movie·R·Sep 18, 2008·
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The Good, the Bad, the Weird

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Digital video
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DVD & Blu-ray
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The Good, the Bad, the Weird

movie
R
September 18, 2008
Wokeometer Rating
0Based
0/10
Audience Woke Score
No Ratings Yet
Scale: 0 = not woke, 10 = maximally woke

TL;DR Verdict

The Good, the Bad, the Weird scores 0/10 for wokeness by sticking to classic outlaw chases, treasure hunts, and colonial-era shootouts with zero identity politics or activist lectures.

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Detailed Analysis

The Good, the Bad, the Weird (2008) is a South Korean action-adventure Western homage to Sergio Leone’s The Good, the Bad and the Ugly, set in 1930s Japanese-occupied Manchuria.

Its premise centers on three original Korean outlaw characters—the bounty hunter Park Do-won (Jung Woo-sung), the hitman Park Chang-yi (Lee Byung-hun), and the thief Yoon Tae-goo (Song Kang-ho)—competing for a treasure map amid chases, shootouts, and clashes with the Japanese army and various bandits. The all-Korean cast plays these newly created roles in a historically consistent period setting with no race- or gender-swapping of established figures, allowing the story to deliver classic genre entertainment through greed-driven pursuits, moral ambiguity, and high-energy set pieces. The film’s themes stay limited to period-appropriate outlaw adventure, treasure hunts, and colonial-era conflicts, with no modern activist messaging, identity politics, or lectures on contemporary norms.

Released in 2008, the project reflects its creators’ focus on genre homage and pure entertainment value rather than any ideological agenda. This approach produced zero documented controversy tied to progressive themes, resulting in straightforward audience reception centered on the action and performances instead of cultural debates.

Key Factors

  • All-Korean cast playing original characters in a historically consistent 1930s Manchurian setting with no race- or gender-swapping of established figures
  • Plot and themes limited to period-appropriate outlaw adventure, treasure hunt, and colonial-era conflicts without modern activist messaging or lecture moments
  • 2008 release and creator focus on genre homage and entertainment, with zero documented controversy or intent tied to progressive ideology

Methodology: Each score synthesizes audience discourse, critic and aggregator reception, and press coverage — weighed against the work itself, not any single source.

Detailed BreakdownPro

Identity Politics & Racial Essentialism
Gender Ideology & LGBTQ+ Themes
DEI Casting & Representation Mandates
Preachiness & Message-First Agenda
Corporate & Creator Activism

See how this title scores across all 5 woke subcategories with detailed explanations.

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Is The Good, the Bad, the Weird Woke?

We've run a full content analysis on The Good, the Bad, the Weird and scored it 0/10 on the woke scale. Read our detailed breakdown above to see exactly what we found.

Frequently Asked Questions

What kind of woke content is in The Good, the Bad, the Weird?

Our analysis checks for themes like identity politics, race-swapping, gender ideology, environmental activism, anti-religious messaging, and other progressive agenda elements. The score breakdown above shows which specific categories were flagged and how heavily they factor into The Good, the Bad, the Weird's overall score.

Is The Good, the Bad, the Weird family-friendly?

Wokeometer focuses on ideological content rather than traditional ratings (violence, language, etc.). The Good, the Bad, the Weird is rated R. For a full picture, combine our woke analysis with the age rating to decide if it's right for your family.

How does Wokeometer score movies?

We evaluate media across multiple ideological categories on a 0–10 scale. Scores of 0–3 mean story-first, 4–6 have moderate elements, and 7–10 flag heavily agenda-driven content. Learn more about our methodology →

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Top Cast

Song Kang-ho
3.4Based

Song Kang-ho

Yoon Tae-goo

Lee Byung-hun
2.6Based

Lee Byung-hun

Park Chang-yi

Jung Woo-sung
0.7Based

Jung Woo-sung

Park Do-won

Yoon Je-moon
0Based

Yoon Je-moon

Byung-choon

Ryu Seung-su
0.5Based

Ryu Seung-su

Man-gil

Song Young-chang
0Based

Song Young-chang

Kim Pan-joo

Son Byung-ho
0Based

Son Byung-ho

Seo Jae-sik

Oh Dal-su
1Based

Oh Dal-su

Mr. Park

Lee Chung-ah
0Based

Lee Chung-ah

Song-yi

Kim Kwang-il
0Based

Kim Kwang-il

Two Blades

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