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  1. Wokeometer
  2. Movies
  3. The End of Oak Street
The End of Oak Street
Box Office
Underperformed · 1.5x
Budget$80M
Worldwide Gross$120.4M
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The End of Oak Street

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The End of Oak Street

The End of Oak Street

movie·PG-13·Aug 14, 2026·
Box OfficeUnderperformed · 1.5x
$80M
Budget
$120.4M
Gross
Shop

Shop this title

The End of Oak Street

We may earn a commission from purchases through these links.

Digital video
Amazon — Digital video. Search this format: The End of Oak Street. Opens in a new tab
DVD & Blu-ray
Amazon — DVD & Blu-ray. Search this format: The End of Oak Street. Opens in a new tab

Search US stores by format. Check the title and edition before buying.

Explore Prime Video — Opens in a new tab

Catalog availability and subscription terms vary.

The End of Oak Street

movie
PG-13
August 14, 2026
Wokeometer Rating
3Based
Audience Woke Score
7/10
Woke
7 Ratings
Scale: 0 = not woke, 10 = maximally woke

TL;DR Verdict

The End of Oak Street keeps its woke score at a low 3/10 by centering a family's dinosaur-fueled survival and suburban bonds, with any diversity kept incidental and non-intrusive.

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Detailed Analysis

The End of Oak Street is an original 1982-set sci-fi survival thriller with no source material or established characters to alter.

Its core premise centers on the Platt family—Denise (Anne Hathaway) and Greg (Ewan McGregor) and their children Audrey (Maisy Stella) and Brian (Christian Convery)—whose suburban neighborhood is transported to the dinosaur era, forcing them to band together for survival amid block parties turning chaotic and dinosaurs rampaging through cul-de-sacs. The emotional driver remains traditional family cohesion under extreme pressure, with director David Robert Mitchell's interviews highlighting suburban secrets, family bonds, and Amblin-style spectacle colliding with the mundane rather than any ideological agenda. Incidental supporting diversity appears without driving the story, while a visible but non-central queer subplot involving Audrey and neighbor Jeannette holding hands and sharing chemistry functions strictly as a side element that includes no lectures or narrative centrality. Creator intent and reception stay fixed on entertainment value, family themes, and thrills, producing no reported DEI framing or ideology-linked backlash and keeping progressive messaging minimal and non-intrusive.

Key Factors

  • Original story with no established character race/gender/sexuality swaps or source alterations
  • Core premise and emotional driver is traditional family survival and cohesion in a dinosaur-invaded 1982 suburb
  • Incidental supporting diversity and a visible but non-central queer subplot (Audrey and neighbor Jeannette holding hands and sharing chemistry as a side element) that does not drive the narrative or include lectures
  • Creator intent and reception focus on entertainment, family themes, and thrills with no reported DEI framing or backlash tied to ideology

Methodology: Each score synthesizes audience discourse, critic and aggregator reception, and press coverage — weighed against the work itself, not any single source.

Detailed BreakdownPro

Free Preview1 of 5 categories unlocked
Corporate & Creator Activism0

No creator interviews or studio initiatives emphasize inclusion mandates, ESG decisions, or progressive credentials in marketing.

Identity Politics & Racial Essentialism
Gender Ideology & LGBTQ+ Themes
DEI Casting & Representation Mandates
Preachiness & Message-First Agenda

Unlock the other 4 categories — including Identity Politics and Gender Ideology — with detailed explanations.

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Directed by

  • David Robert Mitchell

Is The End of Oak Street Woke?

We've run a full content analysis on The End of Oak Street and scored it 3/10 on the woke scale. Read our detailed breakdown above to see exactly what we found.

Audience Fit
1.5/5
Poor fit

Audience Fit is the inverse of the community's average woke rating of 7/10: the less woke our audience finds a title, the more stars it earns. Based on 7 audience ratings.

Frequently Asked Questions

What kind of woke content is in The End of Oak Street?

Our analysis checks for themes like identity politics, race-swapping, gender ideology, environmental activism, anti-religious messaging, and other progressive agenda elements. The score breakdown above shows which specific categories were flagged and how heavily they factor into The End of Oak Street's overall score.

Is The End of Oak Street family-friendly?

Wokeometer focuses on ideological content rather than traditional ratings (violence, language, etc.). The End of Oak Street is rated PG-13. For a full picture, combine our woke analysis with the age rating to decide if it's right for your family.

How does Wokeometer score movies?

We evaluate media across multiple ideological categories on a 0–10 scale. Scores of 0–3 mean story-first, 4–6 have moderate elements, and 7–10 flag heavily agenda-driven content. Learn more about our methodology →

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Top Cast

Anne Hathaway
3.1Based

Anne Hathaway

Denise Platt

Ewan McGregor
2.9Based

Ewan McGregor

Greg Platt

Christian Convery
2.3Based

Christian Convery

Brian Platt

Maisy Stella
4.5Mixed

Maisy Stella

Audrey Platt

Jordan Alexa Davis
3Based

Jordan Alexa Davis

Jeannette Christiansen

P.J. Byrne
3Based

P.J. Byrne

Mel Jacobs

Bethany Anne Lind
3Based

Bethany Anne Lind

Mary Bagrowski

Emily Kuroda
5.5Mixed

Emily Kuroda

Mrs. Valcour

Denitra Isler
3Based

Denitra Isler

Mae

Hudson Meek
3Based

Hudson Meek

Kaden

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Audience Reviews4

Tr00per89Woke5/10
Oct 30, 2026

Doesnt serve the plot at all having the leading girl being queer

Magneto_STGWoke10/10
Oct 12, 2026

Pure woke garbage. Staw far away from it

diealreadywokeWoke10/10
Oct 5, 2026

Movie is garbage, and all male character act stupid (the boy can't hit anything with his bow and arrow, needing his sister to stab the monster is an example).

MRnoneedGuardianWoke4/10
Oct 1, 2026

It's doesn't have that much woke agendas in it but what bothered me the most is how the men in this movie are weak MFs, almost every male in this movie role over and die without putting that much of a fight. Well it is to be expected in a movie that promotes female empowerment to devalue the men. It is a mediocre movie, I rate it a 5.6/10 Overall.