The lead, Honey O'Donahue (Margaret Qualley), is a wisecracking lesbian private investigator whose hyper-sexualized orientation drives salacious same-sex flirtations and scenes, particularly with Aubrey Plaza's female police officer character, positioning queer desire as a key flavor in this neo-noir comedy. Marketing and reviews consistently highlight it as a 'queer comedy' or 'lesbian B-movie,' with defiant assertions of sexuality amid a plot involving strange deaths at a mysterious church led by a depraved, hypocritical Reverend (Chris Evans) whose pious facade hides sexual excesses, implying a critique of traditional religious institutions.

Additional elements include a harassment subplot where a man persistently hits on Honey despite her repeated declarations of being gay, invoking lesbophobia tropes. Casting leans into queer performers for central roles, with a somewhat diverse ensemble including actors of varying ethnic backgrounds, but no evident race- or gender-swapping.

Reception is mixed, with some audience complaints labeling it 'overly woke,' 'gay heavy,' or a failed 'lesbian trifle,' though primary backlash focuses on poor execution and unfunniness rather than ideological intrusion. Creators Ethan Coen and Tricia Cooke, fresh off the queer-centric Drive-Away Dolls, embed these elements noticeably but not overwhelmingly, making them influential without dominating the whodunit structure.