Box Office
Hit · 6.2xBudget$10M
Worldwide Gross$61.6M
Everything, Everything stays a classic teen romance about first love and overprotective parents, with zero lectures on identity or social justice. It earns its low 3/10 woke score by keeping the focus on story, not messaging.
The 2017 film adapts Nicola Yoon's YA novel about Madeline 'Maddy' Whittier, a teenager isolated by a fabricated SCID diagnosis who falls for neighbor Olly Bright.
Its core premise and emotional driver remain a conventional story of first love, parental overprotection, and risk-taking, with no dialogue or subplots addressing systemic oppression, identity politics, or critiques of traditional norms. Casting features Amandla Stenberg as the biracial Maddy opposite white actor Nick Robinson as Olly, plus Black director Stella Meghie and supporting Black actresses Anika Noni Rose and Ana de la Reguera; the book already depicted Maddy as half-Japanese/half-Black, though the film altered the mother's ethnicity. These elements add visible diversity without driving the narrative or clashing with the contemporary setting.
We've run a full content analysis on Everything, Everything and scored it 3/10 on the woke scale. Read our detailed breakdown above to see exactly what we found.
Our analysis checks for themes like identity politics, race-swapping, gender ideology, environmental activism, anti-religious messaging, and other progressive agenda elements. The score breakdown above shows which specific categories were flagged and how heavily they factor into Everything, Everything's overall score.
Wokeometer focuses on ideological content rather than traditional ratings (violence, language, etc.). Everything, Everything is rated PG-13. For a full picture, combine our woke analysis with the age ratingto decide if it's right for your family.
We evaluate media across multiple ideological categories on a 0–10 scale. Scores of 0–3 mean story-first, 4–6 have moderate elements, and 7–10 flag heavily agenda-driven content.
Methodology: Each score synthesizes audience discourse, critic and aggregator reception, and press coverage — weighed against the work itself, not any single source.
See how this title scores across all 5 woke subcategories with detailed explanations.
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