The film repurposes standard spy academy tropes—such as the emphasis on deception and lying—as an explicit allegory for closeted queer identity, with Amy's perfect SAT-embedded test score directly linked to her hidden sexuality. Director Angela Robinson has stated her intent to create a gay version of comic-book heroines, positioning the queer love story as the heart of the project.

This results in prominent scenes of the pair kissing, having sex, and running away together that dominate the runtime, while the all-female team and academy structure parody Charlie's Angels but consistently subordinate action and comedy to the same-sex relationship. The absence of any male romantic leads or traditional norms further normalizes the ideological framing, turning what could have been light spy parody into a vehicle for progressive messaging that overrides entertainment priorities. This approach compromises the film's coherence as action-comedy by forcing every element to serve the queer allegory, leaving little room for unencumbered genre thrills.