Casting features prominent racial diversity with a Black lead (Ayo Edebiri as Josie) alongside Asian-American (Havana Rose Liu) and other non-white actors in key roles, layering intersectional identities onto the ensemble without source material justification, as this is an original script. Director Emma Seligman and co-writer/star Rachel Sennott explicitly aimed to create a 'queer teen sex comedy' to mirror and subvert straight classics like Superbad, emphasizing 'gay joy' and filling representational gaps, which reveals overt activist intent to normalize non-traditional sexualities and challenge heteronormative norms.

Subtle but pervasive satirical critiques of toxic masculinity (via dim jock characters), homophobia, and high school patriarchy further embed social justice themes, positioning identity exploration as the primary emotional engine. These elements intrude heavily, prioritizing ideological messaging over unadulterated entertainment, especially risky for a youth-oriented raunchy comedy that bombards impressionable teens with casual queer normalization and identity politics as the plot's beating heart, diluting comedic potential into a niche propaganda piece.