The problem begins when the game decides it needs to lecture the player. Grace Walker is the most glaring example. She arrives with the bearing of a radical Black revolutionary leader distrustful of all white people and spouting rhetoric about oppression and, at one point, corrects BJ when he calls the Nazis “monsters”: “Not monsters. Men.” In other words: they aren’t monsters… they’re men. Furthermore, Grace fits the classic mold of the “representative” character of the era: a Black woman and activist who is wary of white people, constantly spouting political rhetoric and projecting an air of moral superiority. She is not merely a competent resistance leader; she is a vehicle for a message. At times, it seems the script is more interested in making the player “reflect on systemic oppression and toxic masculinity” than in telling a story of war and revenge against the Reich.