Its core premise, mechanics, and ongoing narrative contain no identity politics, DEI mandates, pronoun systems, romance subplots, or social justice arcs. Pilot backstories stay limited to personal loss, rivalry, and adventure, as seen with characters like Linda Cano, while faction lore revolves around megacorporations such as SpaceTech, DSC, and Icarus Technologies competing through proxy robot battles.

This clean focus on gameplay and traditional sci-fi elements keeps progressive messaging entirely absent from story, casting, and design. The sole exception is a limited Pride Month live-ops event that briefly portrayed two female pilots as a couple, along with related marketing cards using that minor lore detail. These additions stay confined to temporary events and promotional material without influencing the central premise, character creation, or competitive systems. As a result, the game earns a low score reflecting only incidental surface-level inclusion rather than any foundational ideological shift.