There are no race or gender swaps of established characters, no forced diversity clashing with the setting, no prominent LGBTQ+ representation as a focal point, no dialogue lecturing on systemic oppression or identity politics, and no normalization of modern concepts like pronouns or gender fluidity. The protagonist is a puppet seeking humanity through combat and choices rooted in the classic story's themes of lies and truth, with no overlay of contemporary activism.

Developer NEOWIZ shows no evidence of DEI mandates, Sweet Baby Inc. consultancy, sensitivity readers, or activist intent in interviews or statements. Character designs, including the somewhat androgynous Pinocchio puppet, align organically with the narrative's gothic puppet aesthetic rather than serving ideological statements.

Reception is overwhelmingly positive across Steam, Metacritic, and player discourse, with criticisms limited to gameplay mechanics like difficulty and level design—no 'go woke go broke' backlash or woke complaints. Instead, the game is celebrated in anti-woke gaming circles as a refreshing counterpoint to ideologically driven titles, proving that focused storytelling and challenging action can thrive without political messaging.