There are no race or gender swaps of iconic characters, no DEI consultancy like Sweet Baby Inc confirmed (despite pre-release rumors), no creator statements pushing activism or inclusion mandates, and no normalization of pronouns, gender fluidity, or identity politics. The female companion Gina Lombardi, an Italian journalist, serves as an organic sidekick with her own subplot but draws complaints primarily for being annoyingly chatty and spoiling puzzles rather than for any 'girlboss' preaching or subverting Indy—producer comments framing her as an 'intellectual equal' are mild at best and do not drive the narrative.

A single minor character listed as lesbian on a fandom wiki appears incidental and non-focal, with no LGBTQ+ themes, relationships, or representation central to the plot, romance, or conflicts. Pre-release fears from a queer developer mention and marketing phrases like 'modern audience' fizzled post-launch, yielding high critic (86-87) and audience scores with no review bombing, score gaps, or widespread 'go woke go broke' backlash. The game prioritizes pure pulp adventure escapism, free from social justice lectures, systemic oppression narratives beyond historical Nazis, or forced diversity clashing with the setting.