Their story involves researching Amazonian tribes like the Yabahuaca and facing consequences from pharmaceutical exploitation that triggers a virus outbreak, leading to guilt, hallucinations, and survival horror. The narrative follows classic outsider-interference thriller tropes without any modern activist framing, systemic oppression lectures, or identity-focused arcs. No character creation system exists, no pronoun or body-type options, and no LGBTQ+ characters or romances appear in the plot or prequel Spirits of Amazonia.

Indigenous tribes feature in the lore and as hostile factions (e.g., Waraha warriors with traditional body paint), portrayed through realistic survival conflict rather than noble-savage or decolonization messaging. Developer Creepy Jar, a small Polish studio, shows no DEI statements or consultancy involvement. Some progressive critics labeled the game imperialist or racist for its white-protagonist perspective and tribal hostility, but this reflects external interpretation, not embedded ideology. The core premise remains pure survival simulation with psychological elements.