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Baldur's Gate III
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Baldur's Gate 3 scores 8/10 for wokeness by baking gender-agnostic romances, polyamory paths, and fully voiced they/them non-binary options into character creation and companion systems. Skip it if you want traditional fantasy without forced modern identity politics overriding the world.
Baldur's Gate 3 embeds progressive ideological elements deeply into its core systems rather than treating them as incidental.
The romance mechanics make every companion—including Astarion, Shadowheart, Gale, Karlach, Lae'zel, Wyll, Halsin, and Minthara—available regardless of the player character's gender, with explicit same-sex scenes, polyamory paths (notably Halsin supporting open relationships), and approval-driven intimacy arcs that form a major gameplay pillar across multiple acts. These features, paired with developer emphasis on fluid identity expression, turn companion interactions into vehicles for gender-agnostic and queer content that override traditional fantasy role-playing boundaries. Character creation replaces binary gender with independent body types, voices, genitals, and pronouns including they/them, which are fully voiced in dialogue after actors re-recorded lines; non-binary identity is a selectable option that alters how NPCs address the player. This integration of they/them pronouns and non-binary options as fully supported mechanics prioritizes contemporary identity politics over coherent world-building, compromising immersion and entertainment value by design.
Methodology: Each score synthesizes audience discourse, critic and aggregator reception, and press coverage — weighed against the work itself, not any single source.
Developers explicitly emphasize fluid identity expression and gender-agnostic content in design choices, integrating these as intentional features rather than optional or incidental elements.
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We've run a full content analysis on Baldur's Gate III and scored it 8/10 on the woke scale. Read our detailed breakdown above to see exactly what we found.
Audience Fitis the inverse of the community's average woke rating of 5.7/10: the less woke our audience finds a title, the more stars it earns. Based on 7 audience ratings.
Our analysis checks for themes like identity politics, race-swapping, gender ideology, environmental activism, anti-religious messaging, and other progressive agenda elements. The score breakdown above shows which specific categories were flagged and how heavily they factor into Baldur's Gate III's overall score.
Wokeometer focuses on ideological content rather than traditional ratings (violence, language, etc.). For a full picture, combine our woke analysis with the official content ratingto decide if it's right for your family.
We evaluate media across multiple ideological categories on a 0–10 scale. Scores of 0–3 mean story-first, 4–6 have moderate elements, and 7–10 flag heavily agenda-driven content. Learn more about our methodology →
Full of extremely forced propaganda on all woke tropes, from black elves to gay stuff everywhere. Jarring.
Main characters are predominantly women or DEI while the White characters look incompetent or silly based on their dialogues, personality and look: portrayed as gnomes, tifflings or a disgusting vampire Astarian. 'Genders' were replaced with 'body types'. It is really hard to play this game as you are confused and have this weird feeling that Larian wanted to appeal to all people at once which was not a case with Divinity Original Sin 1 and 2
While there are some questionable romance options, you can forge your own path in this game, nothing is forced. Big props to the fact that you can fully undress your characters and nothing is censored. No DEI, no politics just freedom of exploration.
Why did you give it 0 score if you just admitted it has sketchy romances?
Although there are options for LGBTQ+ romances and character creation. None of it is forced and has zero narrative or mention of it specifically. All romance narrative have the same dialogs.