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"LOST PRINCESS ", SAGA: TALE OF THE GODLESS
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"LOST PRINCESS ", SAGA: TALE OF THE GODLESS

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"LOST PRINCESS ", SAGA: TALE OF THE GODLESS

"LOST PRINCESS ", SAGA: TALE OF THE GODLESS

book·Aug 23, 2022·
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"LOST PRINCESS ", SAGA: TALE OF THE GODLESS

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"LOST PRINCESS ", SAGA: TALE OF THE GODLESS

book
August 23, 2022
Wokeometer Rating
8Woke
0/10
Audience Woke Score
No Ratings Yet
Scale: 0 = not woke, 10 = maximally woke

TL;DR Verdict

8/10 Woke Warning: Middle-grade fantasy overloads on queer polyamory, sapphic romances, and LGBTQ+ identity politics as the core narrative for 12-15 year olds—skip for pure adventure.

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Detailed Analysis

This middle-grade fantasy series, targeted at impressionable 12-15 year olds, embeds progressive ideology deeply through its central focus on LGBTQ+ relationships and identities as the 'heartbeat' of the story, compromising traditional fantasy entertainment with identity-driven narratives.

Reviews highlight 'tons' of queer representation 'slipped in smooth as butter,' including healthy polyamorous relationships and casual mentions like a man referencing his husband, positioning non-traditional sexualities and relationship structures as natural focal points rather than incidental. The romance elements, such as Alice meeting a 'haunting beauty' in book 2 and morally gray girls 'winning the girl,' revolve around sapphic dynamics, making queer exploration a primary emotional driver in a genre not historically centered on such themes.

The author's self-identification as lesbian/aroace and promotion via #queer #lgbt tags, alongside heavy endorsement from queer book blogs like Queer Book Corner, underscores activist intent to normalize these elements for young readers. In children's media, this heightened embedding of identity politics as core to character arcs and appeal represents a cautionary intrusion, prioritizing contemporary social messaging over pure adventure or traditional storytelling, even if delivered entertainingly to niche audiences.

Methodology: Each score synthesizes audience discourse, critic and aggregator reception, and press coverage — weighed against the work itself, not any single source.

Detailed BreakdownPro

Identity Politics & Racial Essentialism
Gender Ideology & LGBTQ+ Themes
DEI Casting & Representation Mandates
Preachiness & Message-First Agenda
Corporate & Creator Activism

See how this title scores across all 5 woke subcategories with detailed explanations.

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Is "LOST PRINCESS ", SAGA: TALE OF THE GODLESS Woke?

We've run a full content analysis on "LOST PRINCESS ", SAGA: TALE OF THE GODLESS and scored it 8/10 on the woke scale. Read our detailed breakdown above to see exactly what we found.

Frequently Asked Questions

What kind of woke content is in "LOST PRINCESS ", SAGA: TALE OF THE GODLESS?

Our analysis checks for themes like identity politics, race-swapping, gender ideology, environmental activism, anti-religious messaging, and other progressive agenda elements. The score breakdown above shows which specific categories were flagged and how heavily they factor into "LOST PRINCESS ", SAGA: TALE OF THE GODLESS's overall score.

Is "LOST PRINCESS ", SAGA: TALE OF THE GODLESS family-friendly?

Wokeometer focuses on ideological content rather than traditional ratings (violence, language, etc.). For a full picture, combine our woke analysis with the official content ratingto decide if it's right for your family.

How does Wokeometer score books?

We evaluate media across multiple ideological categories on a 0–10 scale. Scores of 0–3 mean story-first, 4–6 have moderate elements, and 7–10 flag heavily agenda-driven content. Learn more about our methodology →

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Authors

S
Sara Ferrando Estarlichauthor
Avg Score
5.6

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