Box Office
Hit · 3.7xBudget$60M
Worldwide Gross$219.4M
The Terminal obtiene un bajo 2/10 en wokeness al ceñirse a la clásica historia de pez fuera del agua sobre la perseverancia, la amabilidad y la superación de la burocracia a través de la humanidad individual. Sin política de identidad ni narrativas sistémicas: solo entretenimiento neutral impulsado por los personajes.
The Terminal (2004) se centra en Viktor Navorski (Tom Hanks), un hombre de Europa del Este del país ficticio Krakozhia, varado en la terminal internacional de JFK después de que un golpe de estado invalida su pasaporte.
La historia sigue su adaptación a través de trabajos ocasionales, amistades con el personal del aeropuerto y una búsqueda personal ligada al sueño de su difunto padre, enfatizando la perseverancia, la amabilidad en medio de la burocracia y la humanidad individual por encima de las reglas rígidas. Estos son tropos clásicos de comedia-drama de pez fuera del agua sin dependencia fundamental de la política de identidad, narrativas de opresión sistémica o críticas a las normas tradicionales.
We've run a full content analysis on The Terminal and scored it 2/10 on the woke scale. Read our detailed breakdown above to see exactly what we found.
Our analysis checks for themes like identity politics, race-swapping, gender ideology, environmental activism, anti-religious messaging, and other progressive agenda elements. The score breakdown above shows which specific categories were flagged and how heavily they factor into The Terminal's overall score.
Wokeometer focuses on ideological content rather than traditional ratings (violence, language, etc.). The Terminal is rated PG-13. For a full picture, combine our woke analysis with the age ratingto decide if it's right for your family.
We evaluate media across multiple ideological categories on a 0–10 scale. Scores of 0–3 mean story-first, 4–6 have moderate elements, and 7–10 flag heavily agenda-driven content. Learn more about our methodology →
Methodology: Each score synthesizes audience discourse, critic and aggregator reception, and press coverage — weighed against the work itself, not any single source.
See how this title scores across all 5 woke subcategories with detailed explanations.
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