Box Office
Hit · 4.3xBudget$47M
Worldwide Gross$203.4M
Arrival obtiene una puntuación 1/10 woke al adaptar su material fuente de 1998 en una ciencia ficción neutral centrada en el lenguaje, el tiempo y el duelo—sin políticas identitarias, narrativas de opresión o diversidad forzada.
Arrival se centra en la lingüista Louise Banks (Amy Adams) descifrando el lenguaje heptápodo para evitar un conflicto global, con la premisa central extraída directamente del cuento corto de Ted Chiang de 1998 'Story of Your Life.' La narrativa explora la relatividad lingüística, la percepción del tiempo no lineal, el duelo por la muerte de una hija y la agencia personal en la reproducción, sin ningún encuadre en torno a políticas identitarias, opresión sistémica o críticas a las normas tradicionales.
La historia original ya presenta una protagonista femenina, por lo que el casting de Adams no implica un cambio de género de personajes establecidos, y los roles secundarios como el Coronel de Forest Whitaker y el General Shang de Tzi Ma se alinean con el escenario militar internacional en lugar de mandatos DEI.
We've run a full content analysis on Arrival and scored it 1/10 on the woke scale. Read our detailed breakdown above to see exactly what we found.
Our analysis checks for themes like identity politics, race-swapping, gender ideology, environmental activism, anti-religious messaging, and other progressive agenda elements. The score breakdown above shows which specific categories were flagged and how heavily they factor into Arrival's overall score.
Wokeometer focuses on ideological content rather than traditional ratings (violence, language, etc.). Arrival is rated PG-13. For a full picture, combine our woke analysis with the age ratingto decide if it's right for your family.
We evaluate media across multiple ideological categories on a 0–10 scale. Scores of 0–3 mean story-first, 4–6 have moderate elements, and 7–10 flag heavily agenda-driven content. Learn more about our methodology →
Methodology: Each score synthesizes audience discourse, critic and aggregator reception, and press coverage — weighed against the work itself, not any single source.
See how this title scores across all 5 woke subcategories with detailed explanations.
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